{"id":622965,"date":"2026-03-12T09:39:04","date_gmt":"2026-03-12T08:39:04","guid":{"rendered":"https:\/\/funzine.hu\/?p=622965"},"modified":"2026-03-12T09:39:04","modified_gmt":"2026-03-12T08:39:04","slug":"od-marije-terezije-do-moderne-plesne-dvorane-zgodba-o-svileni-rolni-obuda","status":"publish","type":"post","link":"https:\/\/funzine.hu\/sl\/2026\/03\/12\/kulture\/od-marije-terezije-do-moderne-plesne-dvorane-zgodba-o-svileni-rolni-obuda\/","title":{"rendered":"Od Marije Terezije do moderne plesne dvorane: Zgodba o svileni rolni \u00d3buda"},"content":{"rendered":"

Na sti\u010di\u0161\u010du Mikl\u00f3sovega trga in ulice Harrer P\u00e1l stoji nenavadna, elipti\u010dna stavba, tiho skrita, mimo katere mnogi hodijo, ne da bi slutili, da njene stene ohranjajo spomin na enega od zgodnjih poskusov v mad\u017earski industrijski zgodovini. Svilena rolna \u00d3buda ni le primer redke arhitekturne oblike, temve\u010d tudi odtis prizadevanj gospodarske politike iz 18. stoletja, ki je \u017eelela Mad\u017earsko spremeniti v proizvajalko surovin za cesarsko svilarno industrijo.<\/p>\n

\"\"
ilustracija – pixabay.com<\/figcaption><\/figure>\n

Cesarski na\u010drt za spodbuditev svilarne industrije
\nZgodba sega dale\u010d nazaj, \u017eivljenje stavbe se prakti\u010dno za\u010dne s prizadevanji dr\u017eave za gospodarski razvoj v 18. stoletju.<\/p>\n

Po izgonu Turkov je Marija Terezija spoznala, da svilarna industrija dednih provinc potrebuje zanesljivo surovino, zato je posku\u0161ala na Mad\u017earskem vzpostaviti gojenje sviloprejk. Poleg vsega tega je podpirala tudi sajenje murv, da bi zagotovila hrano gosenicam, in organizirala je zbiranje kokonov, da bi zagotovila zadostno koli\u010dino surovin v avstrijske delavnice.<\/p>\n

Njen sin, Jo\u017eef II., je nadaljeval to politiko, vendar ni bil ve\u010d zadovoljen z Mad\u017earsko, ki je zagotavljala surovine; \u017eelel je, da bi prvi koraki predelave potekali lokalno. Zato so od 1760-ih in 1770-ih za\u010deli nastajati klekljarne in filatoriji oziroma predilnice, v prvih so iz kokonov pridobivali fino svileno nit, v drugih pa so te niti spreli v mo\u010dnej\u0161o prejo. Polizdelek so nato odpeljali na Dunaj, kjer so iz njega izdelali kon\u010dno, luksuzno kakovostno svileno tkanino.<\/p>\n

Prva predilnica svile v dr\u017eavi je bila zgrajena v \u00d3budi, kot protiute\u017e klekljanici pa je tam delovala tudi predilnica svile. Ta stavba je bila v naslednjih stoletjih uni\u010dena, vendar je njen spomin ohranjen \u0161e danes v imenu postajali\u0161\u010da Filatorig\u00e1t H\u00c9V.<\/p>\n

Italijanski mojstri in gradbeni\u0161tvo v \u00d3budi
\nEkipa strokovnjakov iz Italije je igrala klju\u010dno vlogo pri organizaciji mad\u017earske svilarske industrije: ustanovitev tovarne v \u00d3budi je temeljila na strokovnih navodilih Agostina Mazzocata. Izvajalec gradnje je bil J\u00f3zsef Tallherr, drugi arhitekt Zbornice, s \u010digar pomo\u010djo se je gradnja za\u010dela s financiranjem iz zakladnice.<\/p>\n

Delo je hitro napredovalo: avgusta 1785 se je za\u010del poskusni obrat enajstih strojev, polna proizvodnja pa se je za\u010dela 1. julija 1786. Objekt je naro\u010dil sam kralj Henrik II. J\u00f3zsef je tudi obiskal in osebno pozdravil delavce na gradbi\u0161\u010du.<\/p>\n

Arhitekturna zasnova tovarne je \u0161e danes precej edinstvena. Njen tloris spominja na tekalno stezo: pravokotnik dopolnjujeta dve polkro\u017eno oblikovani zapirali, kar arhitekturna teorija pozna kot panoptikonsko ureditev. Enonadstropna stavba z notranjim dvori\u0161\u010dem ima klasicisti\u010dne in poznobaro\u010dne zna\u010dilnosti, z okni s kamnitimi okvirji.<\/p>\n

Med delovanjem manufakture so bili kotli za klekljanje postavljeni vzdol\u017e stebrov; Pritli\u010dje in prvo nadstropje sta bila oba velika, neprekinjena delovna prostora, kjer so predelovali kokone.<\/p>\n

Viharna stoletja
\nPo Mazzocatovi smrti je njegov sin, takrat K\u00e1roly Roscogni, vodil tovarno, ki je delovala do leta 1830. Z ukinitvijo podjetja je stavba izgubila svojo prvotno funkcijo.<\/p>\n

Vendar pa je med veliko poplavo Donave leta 1838 odigrala nepri\u010dakovano vlogo: mnogi prebivalci obmo\u010dja so tukaj na\u0161li zato\u010di\u0161\u010de, saj je masivna konstrukcija hi\u0161e utrpela relativno malo \u0161kode. Do sredine stoletja pa je bila skoraj popolnoma prazna in jo je dr\u017eavna blagajna prodala na dra\u017ebi.<\/p>\n

Njen novi lastnik je postala Donavska parni\u0161ka dru\u017eba, ki jo je uporabljala predvsem za skladi\u0161\u010denje in gospodarske namene. Med drugo svetovno vojno je bila mo\u010dno dotrajana stavba obsojena na ru\u0161enje, a so jo vojne okoli\u0161\u010dine na koncu re\u0161ile: ru\u0161enje ni bilo izvedeno, zato je previjalnica svile, za razliko od mnogih drugih industrijskih spomenikov v \u00d3budi, pre\u017eivela.<\/p>\n

V petdesetih letih prej\u0161njega stoletja so jo obnovili in v njej zgradili stanovanja, vendar se je njeno stanje v naslednjih desetletjih za\u010delo znova slab\u0161ati, zato je sredi sedemdesetih let sledila \u0161e ena prenova.<\/p>\n

Kulturni eksperimenti in doba plesne dvorane
\nV sedemdesetih letih prej\u0161njega stoletja so strokovnjaki za dedi\u0161\u010dino razvili ve\u010d mo\u017enih na\u010drtov uporabe: razpravljali so o muzeju gledali\u0161ke zgodovine, knji\u017enici, centru za prosti \u010das in celo gostinskem obratu.<\/p>\n

Na koncu se je javna kulturna funkcija izkazala za izvedljivo: stavba je za nekaj \u010dasa postala priljubljeno prizori\u0161\u010de za plesno gibanje in druge kulturne pobude. Z leti so se v njene zidove preselili knji\u017enica, uredni\u0161tvo revij, filmski in video studio ter civilne organizacije. Po rekonstrukciji, ki je sledila temeljiti raziskavi stavbe, so maja 1985 tukaj odprli Javni kulturno-informacijski center.<\/p>\n

Po spremembi re\u017eima je stavba ponovno spremenila funkcijo: dolgo \u010dasa je imela pisarne razli\u010dnih podjetij, danes pa deluje kot poslovna in prireditvena stavba.<\/p>\n","protected":false},"excerpt":{"rendered":"

Na sti\u010di\u0161\u010du Mikl\u00f3sovega trga in ulice Harrer P\u00e1l stoji nenavadna, elipti\u010dna stavba, tiho skrita,<\/p>\n","protected":false},"author":391,"featured_media":622966,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"wprm-recipe-roundup-name":"","wprm-recipe-roundup-description":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[14346],"tags":[],"post_places":[],"class_list":["post-622965","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kulture"],"acf":{"connected_places":"","del_image":""},"yoast_head":"\nOd Marije Terezije do moderne plesne dvorane: Zgodba o svileni rolni \u00d3buda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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