{"id":572543,"date":"2024-08-26T16:00:03","date_gmt":"2024-08-26T14:00:03","guid":{"rendered":"https:\/\/funzine.hu\/?p=572543"},"modified":"2024-08-26T16:00:03","modified_gmt":"2024-08-26T14:00:03","slug":"cvetoca-budimpesta-5-stavb-v-prestolnici-ki-vas-popeljejo-v-svet-secesije","status":"publish","type":"post","link":"https:\/\/funzine.hu\/sl\/2024\/08\/26\/kulture\/cvetoca-budimpesta-5-stavb-v-prestolnici-ki-vas-popeljejo-v-svet-secesije\/","title":{"rendered":"Cveto\u010da Budimpe\u0161ta: 5 stavb v prestolnici, ki vas popeljejo v svet secesije"},"content":{"rendered":"

Med \u0161tevilnimi imeni za secesijo je slog floreale najbolj\u0161i na\u010din za opis arhitekturnega sloga, ki je cvetela na prelomu 19. in 20. stoletja. Ena od zna\u010dilnosti tega umetni\u0161kega gibanja je cvetli\u010dna ornamentika, ki jo na ulicah Budimpe\u0161te lahko vidite v ne\u0161tetih \u010dudovitih primerih.<\/p>\n

\"\"
ilustracija – pixabay.com<\/figcaption><\/figure>\n

Po\u0161tna hranilnica, Hold utca 4.
\nKonec 19. stoletja je razcvet gospodarstva prinesel razvoj nacionalne ban\u010dne mre\u017ee in s tem ustanovitev mad\u017earske kraljeve po\u0161tne hranilnice leta 1895. Vendar je bil \u0161ele \u0161tiri leta pozneje objavljen razpis za gradnjo sede\u017ea, na katerem je med 61 prijavljenimi kandidati zmagal \u00d6d\u00f6n Lechner. Stavba, ki je bila najcenej\u0161a v tistem \u010dasu in so jo gradili pribli\u017eno 1-1,5 leta, je postala pomemben mejnik v Lechnerjevi arhitekturni karieri: Zdru\u017eenje likovnih umetnikov mu je podelilo veliko zlato medaljo, Franc Jo\u017eef I. pa ga je imenoval za kraljevega svetnika.<\/p>\n

Kljub vsem nazivom in odlikovanjem pa so Po\u0161tno hranilnico po pisanju takratnega tiska v ve\u010djem \u0161tevilu kot njene stranke iskali \u201ezasledovalci in zasmehovalci\u201c. Na Lechnerjevo \u017ealost je bil med njimi tudi takratni minister za kulturo, zato je bila Po\u0161tna hranilnica arhitektovo zadnje javno naro\u010dilo in ni smel niti obiskovati svoje mojstrske \u0161ole.<\/p>\n

Vendar to ni ustavilo \u0161irjenja sloga stavbe, ki je bila opremljena s tehni\u010dnimi dose\u017eki tistega \u010dasa in okra\u0161ena z deli Mikse R\u00f3tha in Vilmosa Zsolnaya. Osupljiva Po\u0161tna hranilnica, okra\u0161ena s \u010debelami in panji, simboli var\u010dnosti, je pravzaprav lep primer mad\u017earskega ljudskega umetnostnega sloga \u00d6d\u00f6na Lechnerja.<\/p>\n

 <\/p>\n

Hi\u0161e Lindenbaum, ulica Izabella 94-96.
\n\u201eMislim, da je to prvi poskus na tem podro\u010dju […] in bo zato verjetno po\u017eel veliko kritik na\u0161ih kolegov, deloma zaradi svoje nenavadnosti in deloma zaradi skoraj neizogibnih napak v prvem poskusu\u201c \u2013 razmi\u0161lja Frigyes Spiegel v svojem \u010dlanku \u201aModerna dekorativna umetnost v arhitekturi\u2018 o stavbah na ulici Izabella 94-96. In prerokba ni bila napa\u010dna: par stanovanjskih stavb, ki ju je zasnoval arhitekturni duo Spiegel Frigyes in Weinr\u00e9b F\u00fcl\u00f6p, ni bil v\u0161e\u010d le stroki, temve\u010d tudi \u0161ir\u0161i javnosti v Pe\u0161ti.<\/p>\n

To morda ni veliko presene\u010denje, saj stavbe veletrgovca M\u00f3rica Lindenbauma \u0161e danes navdu\u0161ujejo marsikoga izmed nas. Na secesijski fasadi stavbe Art No. 94, polni cvetli\u010dnih ornamentov, modra, zelena in rumena barva o\u017eivljajo ravni zemlje in zraka, medtem ko se po fasadi nizajo pozla\u010deni ornamenti, son\u010dni diski, pavi, ka\u010de, ptice, stebla lilij in pisano cvetje. Vendar pa barvitega sveta Ognja in Vode ni ve\u010d na ogled, saj ulice Isabella 96 po opusto\u0161enju med drugo svetovno vojno niso nikoli obnovili.<\/p>\n

 <\/p>\n

Bed\u0151-house, Honv\u00e9d utca 3.
\nZgodbe Alfr\u00e9da Haj\u00f3sa, olimpijskega prvaka, arhitekta, ki neko\u010d ni mogel \u017eiveti v hi\u0161i Bed\u0151, ki so jo gradili na isti ulici kot njegovo pisarno. Po anekdoti je pozival k ustavitvi gradnje, vendar je bil pri tem gluh.<\/p>\n

Tako je na za\u010detku 20. stoletja na ulici Honv\u00e9d \u017ee stala stavba Emila Vidorja, na katero so vplivali belgijska in francoska secesija ter nem\u0161ki Jugendstil. Vendar jo krasijo tudi mad\u017earske zna\u010dilnosti, in sicer keramika tovarne Zsolnay. Stavba, ki je precej edinstvena, je neverjetno nepravilna, skoraj ni dveh enakih elementov, znotraj in zunaj pa jo krasijo cvetli\u010dni motivi.<\/p>\n

 <\/p>\n

Nenavadna hi\u0161a je bila postavljena za lastnika tovarne in rudnika B\u00e9lo Bed\u0151ja, vklju\u010duje pa glavno lastnikovo stanovanje, ki ga je zasnoval Vidor, ter pisarne podjetja, prostore za osebje in stanovanja za svobodnjake.<\/p>\n

Vendar pa je bila edinstvena stavba v letih socializma po\u0161kodovana. Sredi stoletja je sosednja Nacionalna zadru\u017ena zveza prebila zid v Bed\u0151jevo hi\u0161o in jo precej spremenila. Vratne odprtine s pavjo loko so zamenjala kvadratna okna, nastala je tovarni\u0161ka menza s tiso\u010d sede\u017ei, garderobe za zaposlene in notranjost je bila spremenjena v dvonadstropno stavbo.<\/p>\n

Nazadnje je leta 2003 podjetje House of Art Nouveau Ltd. po starih fotografijah rekonstruiralo stavbo, tako da si jo je mogo\u010de ogledati tak\u0161no, kot je bila v prvotnem stanju.<\/p>\n

Vila Dozzi, M\u00e1jusfa utca 5.
\nGiuseppe Dozzi je izhajal iz revne dru\u017eine, vendar je po njihovi zaslugi tako obogatel, da je lahko zgradil eno najbolj veli\u010dastnih vil v Matyaslandu. V petdesetih letih 19. stoletja si je premislil, pri\u0161el na Mad\u017earsko, da bi poskusil sre\u010do, in za\u010del izdelovati salamo po dru\u017einskem receptu. Tako je tovarna Dozzi v kraju r\u00e1kospalota postala tretja najve\u010dja tovarna salam po Herzu in Picku, v njeni bli\u017eini pa je bila zgrajena poletna hi\u0161a J\u00f3zsefa Dozzija.<\/p>\n

Na\u010drte je pripravil J\u00f3zsef Paulheim, leta 1905 pa je bila zgrajena stavba, bogata s cvetli\u010dnimi secesijskimi elementi, s trto, pavi in son\u010dnicami, ki kro\u017eijo po pro\u010delju.<\/p>\n

Weissova hi\u0161a, Szent Istv\u00e1n k\u00f6r\u00fat 10.
\n\u010ce vam ime dru\u017eine Weiss ne govori ni\u010desar, pa delavnica Csepel Works, ki sta jo ustanovila Manfr\u00e9d in Berthold Weiss, zagotovo ni tuja dru\u017eini Weiss. Najuspe\u0161nej\u0161a podjetnika dualisti\u010dnega obdobja pa nista pustila svojega pe\u010data samo v Cseplu. Poslovni potencial sta videla tudi v razvoju dana\u0161njega kraja Szent Istv\u00e1n k\u00f6r\u00fat. Ena od stanovanjskih hi\u0161, ki sta jih zgradila tukaj, je bila cvetli\u010dna vogalna hi\u0161a na \u0161tevilki 10, ki je z 29 stanovanji in dvema trgovinama odli\u010dno napolnila tudi Weissovo blagajno.<\/p>\n

Secesijsko \u010dudo, zgrajeno v prvih letih 20. stoletja, je delo Gyule Ullmanna in G\u00e9ze K\u00e1rm\u00e1na, kar pa ni naklju\u010dje. Gyula Ullmann si je namre\u010d za svojo predano \u017eeno izbral Elise Weiss, h\u010derko Bertholda Weissa, kar je mo\u010dno prispevalo k temu, da se je na bulvarju pojavila dunajska secesija, kot jo je predstavljal Ullmann.<\/p>\n

Stavbo krasijo cvetovi breskev, son\u010dnic in narcis, marjetice pa krasijo vrata iz kovanega \u017eeleza, ki so delo enega najvidnej\u0161ih mad\u017earskih kova\u010dev J\u00f3zsefa Forreiderja.<\/p>\n","protected":false},"excerpt":{"rendered":"

Med \u0161tevilnimi imeni za secesijo je slog floreale najbolj\u0161i na\u010din za opis arhitekturnega sloga, ki<\/p>\n","protected":false},"author":391,"featured_media":572544,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"wprm-recipe-roundup-name":"","wprm-recipe-roundup-description":"","ngg_post_thumbnail":0,"footnotes":""},"categories":[14346],"tags":[],"post_places":[],"class_list":["post-572543","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kulture"],"acf":{"connected_places":"","del_image":""},"yoast_head":"\nCveto\u010da Budimpe\u0161ta: 5 stavb v prestolnici, ki vas popeljejo v svet secesije<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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